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<channel>
	<title>Selen Solak</title>
	<link>https://selensolak.com</link>
	<description>Selen Solak</description>
	<pubDate>Fri, 27 Mar 2026 12:59:02 +0000</pubDate>
	<generator>https://selensolak.com</generator>
	<language>en</language>
	
		
	<item>
		<title>index</title>
				
		<link>https://selensolak.com/index</link>

		<pubDate>Sat, 23 Apr 2022 07:44:31 +0000</pubDate>

		<dc:creator>Selen Solak</dc:creator>

		<guid isPermaLink="true">https://selensolak.com/index</guid>

		<description></description>
		
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	<item>
		<title>about</title>
				
		<link>https://selensolak.com/about</link>

		<pubDate>Fri, 22 Apr 2022 15:49:58 +0000</pubDate>

		<dc:creator>Selen Solak</dc:creator>

		<guid isPermaLink="true">https://selensolak.com/about</guid>

		<description>
	Selen Solak (b. 1987, Kırklareli)

She is an artist with a background in painting and a researcher in natural sciences.


Her artistic practice spans various media – artistic publishing (zines, printing), photography, and video – across both personal and collaborative works, critically engaging the spaces between art and science to explore everyday relations, scientific environments and technologies. Her work is mainly image-driven, looking at the poetic connotations of the excluded and maybe the already spoken and how to return to it. She thinks around how politics affect the intimate, looking at structures in childhood and friendship. 


Her scientific research is experimental, on energy devices, mainly on new generation solar cells and materials. Beyond this, she is interested in approaching her own scientific research through historical and future impacts, narratives, and the powers that shape them.


Her recent artistic works include Car Toys, Walking in a City, a zine examining the relation between toys found inside cars and the political atmosphere of a city – and the tensions between them; Missing Red, a video work that rethinks a scientific experiment in relation to the sea, through mistake, unexpected paths and movement; and Text and Image, an ongoing series thinking image and text together around birth, celebration and death. &#38;nbsp;


Her work has been shown primarily in artist-run spaces, as well as at Art Laboratory Berlin and daad Gallery, among other venues. She was recently a postdoctoral researcher at Humboldt Universität zu Berlin and Helmholtz-Zentrum Berlin in physics and chemistry departments.


&#38;nbsp;
	Contact 
E-mail: selensolak[at]proton.me
Videos: Vimeo
Scientific work: orcid

&#60;img width="2253" height="202" width_o="2253" height_o="202" data-src="https://freight.cargo.site/t/original/i/e1853f42fc051ef4181a8cdab298fd75aff3cce7049747b00cc46e83f29f149a/img20250906_14594450_2-copy-2.jpg" data-mid="246581535" border="0" data-scale="81" data-rotation="-2.5" src="https://freight.cargo.site/w/1000/i/e1853f42fc051ef4181a8cdab298fd75aff3cce7049747b00cc46e83f29f149a/img20250906_14594450_2-copy-2.jpg" /&#62;&#60;img width="303" height="378" width_o="303" height_o="378" data-src="https://freight.cargo.site/t/original/i/168354000d883a4b50722d05a7e248a2155dc9ab2112bb468667474c8001a61f/IMG_20200328_183817-copy.jpg" data-mid="247686871" border="0" data-scale="40" src="https://freight.cargo.site/w/303/i/168354000d883a4b50722d05a7e248a2155dc9ab2112bb468667474c8001a61f/IMG_20200328_183817-copy.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="303" height="378" width_o="303" height_o="378" data-src="https://freight.cargo.site/t/original/i/168354000d883a4b50722d05a7e248a2155dc9ab2112bb468667474c8001a61f/IMG_20200328_183817-copy.jpg" data-mid="247686871" border="0" data-scale="40" src="https://freight.cargo.site/w/303/i/168354000d883a4b50722d05a7e248a2155dc9ab2112bb468667474c8001a61f/IMG_20200328_183817-copy.jpg" /&#62; 























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	<item>
		<title>Text and image</title>
				
		<link>https://selensolak.com/Text-and-image</link>

		<pubDate>Tue, 17 Mar 2026 21:58:35 +0000</pubDate>

		<dc:creator>Selen Solak</dc:creator>

		<guid isPermaLink="true">https://selensolak.com/Text-and-image</guid>

		<description>


	Text and image

collaboration with Mustafa Sevinç
 
	-ongoing--

&#60;img width="4961" height="7016" width_o="4961" height_o="7016" data-src="https://freight.cargo.site/t/original/i/e19a01c30bef3a9f6e8471d81f5a0bc9ea01f220d1cc53d7cdd8b06d1c7595a0/gaza_print_6-copy.jpg" data-mid="246169473" border="0" data-scale="65" src="https://freight.cargo.site/w/1000/i/e19a01c30bef3a9f6e8471d81f5a0bc9ea01f220d1cc53d7cdd8b06d1c7595a0/gaza_print_6-copy.jpg" /&#62;&#38;nbsp;











</description>
		
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	<item>
		<title>Passing through a cemetery</title>
				
		<link>https://selensolak.com/Passing-through-a-cemetery</link>

		<pubDate>Fri, 27 Mar 2026 12:59:02 +0000</pubDate>

		<dc:creator>Selen Solak</dc:creator>

		<guid isPermaLink="true">https://selensolak.com/Passing-through-a-cemetery</guid>

		<description>


	Passing Through a cemetery


 
	-ongoing--
on ghosts
&#38;nbsp;

Passing Through a Cemetery follows a search for a grandmother’s grave through imagery within digital mapping systems, exploring how planetary-scale visual infrastructures transform mourning, memory, and our intimate relationships with places of the dead.


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b81271078b61b604cedae4930b6bd8258a00a5234b5d271852d9295eecb431cc/thumb.jpg" data-mid="246571243" border="0"  src="https://freight.cargo.site/w/1000/i/b81271078b61b604cedae4930b6bd8258a00a5234b5d271852d9295eecb431cc/thumb.jpg" /&#62;&#60;img width="3564" height="2304" width_o="3564" height_o="2304" data-src="https://freight.cargo.site/t/original/i/30815c961ef2cddca7de37104be701de39b691a881daf35c17b2ba1874a2398e/Sequence-01.00_09_40_08.Still055-copy.jpg" data-mid="246571276" border="0"  src="https://freight.cargo.site/w/1000/i/30815c961ef2cddca7de37104be701de39b691a881daf35c17b2ba1874a2398e/Sequence-01.00_09_40_08.Still055-copy.jpg" /&#62;










</description>
		
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	<item>
		<title>City threat</title>
				
		<link>https://selensolak.com/City-threat</link>

		<pubDate>Wed, 18 Oct 2023 12:27:05 +0000</pubDate>

		<dc:creator>Selen Solak</dc:creator>

		<guid isPermaLink="true">https://selensolak.com/City-threat</guid>

		<description>


	City threat

	2023

as part Circumstance exhibition together with Seda Mimaroğlu&#38;nbsp;
Thanks to Andreas Reihse and Khan of Finland&#38;nbsp;


at periode.site 

 
PERFORMANCE SEDA MIMAROĞLU w ANDREAS REIHSE




	&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/1db9075e9b6f1bc903ff1fef3a12c70dcff1951225738ee043232a7fd84542df/LMMW5472.JPG" data-mid="204863339" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/1db9075e9b6f1bc903ff1fef3a12c70dcff1951225738ee043232a7fd84542df/LMMW5472.JPG" /&#62;&#60;img width="5076" height="3384" width_o="5076" height_o="3384" data-src="https://freight.cargo.site/t/original/i/acbd7200f3ecdf4bd59cd0d4517376e7fb81370f3e2beeb9ad0069d680aa5747/S1490011.jpg" data-mid="194075367" border="0"  src="https://freight.cargo.site/w/1000/i/acbd7200f3ecdf4bd59cd0d4517376e7fb81370f3e2beeb9ad0069d680aa5747/S1490011.jpg" /&#62;













	




&#60;img width="2353" height="1568" width_o="2353" height_o="1568" data-src="https://freight.cargo.site/t/original/i/9ba6b6237d20e1a1713b7bbddefc8360ce1602f84f875c40e28bcf454ca9e87a/IMG_5350-Enhanced-NR_1-copy.png" data-mid="246581115" border="0" data-scale="65" src="https://freight.cargo.site/w/1000/i/9ba6b6237d20e1a1713b7bbddefc8360ce1602f84f875c40e28bcf454ca9e87a/IMG_5350-Enhanced-NR_1-copy.png" /&#62;


&#60;img width="2688" height="4032" width_o="2688" height_o="4032" data-src="https://freight.cargo.site/t/original/i/e4cb0b6d826ecaa669ee95bbb4a603bf7cddb7b77aab8a21e7da17b7dc45bf9a/IMG_6255-copy.jpg" data-mid="203971571" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/e4cb0b6d826ecaa669ee95bbb4a603bf7cddb7b77aab8a21e7da17b7dc45bf9a/IMG_6255-copy.jpg" /&#62;Installation 

Formed used tea bags, paper glue,&#38;nbsp; cutted conductive paper, green and red LEDs in the jar.

 ø 7 x 14 cm 




&#60;img width="4032" height="2688" width_o="4032" height_o="2688" data-src="https://freight.cargo.site/t/original/i/e88f86f4abef6d5bc4de7c9a7cf7a655a3abfb5a8d9b91983b796a4e5fa4e57e/IMG_6374.jpg" data-mid="194077279" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/e88f86f4abef6d5bc4de7c9a7cf7a655a3abfb5a8d9b91983b796a4e5fa4e57e/IMG_6374.jpg" /&#62;&#60;img src="https://videoapi-muybridge.vimeocdn.com/animated-thumbnails/image/51d19cda-1b33-4a4a-bf58-919061dbdbea.gif?ClientID=vimeo-core-prod&#38;amp;Date=1701355444&#38;amp;Signature=cff20abda839f2936f25c47a289ca19c0af0e617" data-scale="71" data-caption="periode" data-draggable=""&#62;</description>
		
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	<item>
		<title>Science Environment </title>
				
		<link>https://selensolak.com/Science-Environment</link>

		<pubDate>Fri, 22 Apr 2022 15:50:00 +0000</pubDate>

		<dc:creator>Selen Solak</dc:creator>

		<guid isPermaLink="true">https://selensolak.com/Science-Environment</guid>

		<description>
	Science Environment
	

︎Text contribution, 2022Science Environment for the Hörbuch project “that’s what I am living for” realised by&#38;nbsp;Catharina Szonn and Catharina von Bülow&#38;nbsp;




&#60;img width="3072" height="1520" width_o="3072" height_o="1520" data-src="https://freight.cargo.site/t/original/i/8e6ffcdd8a2cbd0476327b10c9e1b0e1dac7dd44770c7c406225af23c3bf2f17/Screenshot-2024-02-06-at-11.06.53.png" data-mid="203972151" border="0"  src="https://freight.cargo.site/w/1000/i/8e6ffcdd8a2cbd0476327b10c9e1b0e1dac7dd44770c7c406225af23c3bf2f17/Screenshot-2024-02-06-at-11.06.53.png" /&#62;


examples of other pages&#38;nbsp;

&#60;img width="3370" height="1670" width_o="3370" height_o="1670" data-src="https://freight.cargo.site/t/original/i/a10d524901a3106afb6978243ca858e5c57f898fd9fbd00292142c298a10bc3a/Screenshot-2024-02-06-at-11.08.42.png" data-mid="203972147" border="0"  src="https://freight.cargo.site/w/1000/i/a10d524901a3106afb6978243ca858e5c57f898fd9fbd00292142c298a10bc3a/Screenshot-2024-02-06-at-11.08.42.png" /&#62;
&#60;img width="3070" height="1520" width_o="3070" height_o="1520" data-src="https://freight.cargo.site/t/original/i/286ed481336e00ac801760b5259bd79eb1735536aedbde276a9c30cd2f09ebed/Screenshot-2024-02-06-at-11.07.38.png" data-mid="203972148" border="0"  src="https://freight.cargo.site/w/1000/i/286ed481336e00ac801760b5259bd79eb1735536aedbde276a9c30cd2f09ebed/Screenshot-2024-02-06-at-11.07.38.png" /&#62;







</description>
		
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	<item>
		<title>Nylon-6</title>
				
		<link>https://selensolak.com/Nylon-6</link>

		<pubDate>Sun, 08 Jan 2023 19:00:40 +0000</pubDate>

		<dc:creator>Selen Solak</dc:creator>

		<guid isPermaLink="true">https://selensolak.com/Nylon-6</guid>

		<description>
	

	Nylon-6
	Zine&#38;nbsp;
Design by Selen Solak and Catharina SzonnRiso Printed by Colorama, 202250 copies
Nylon-6 is the name of a polyamide polymer synthesized from ε-caprolactam in Germany. Based on questions about how technological change can be represented and how it affects social interaction on a daily basis, the authors explore the topic of nylon-6 in their first issue of a continuing zine series. The issue “Nylon -6” specifically explores the historical connection between ‘workwear’, technology, economic growth, and economic competition during the Cold War era, and provides a segue to a present where the importance of technology, economics, and sustainability are once again being discussed.
Proofreading&#38;nbsp;: Mustafa Sevinç



	
	please write to get a copy. (5 euro +_+)


&#38;nbsp;
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/7f8705e6903f082f0b597a709ee4f665c7b5d2755fa96cf7393c526bc939b95c/IMG_5958-copy.jpg" data-mid="204341990" border="0" data-scale="55" src="https://freight.cargo.site/w/1000/i/7f8705e6903f082f0b597a709ee4f665c7b5d2755fa96cf7393c526bc939b95c/IMG_5958-copy.jpg" /&#62;
&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/8a6019a0e631edd94c7831f169694bb2b8c50b7b5c191fccd9211da8ce564ab8/IMG_5968-copy.jpg" data-mid="204341988" border="0" data-scale="79" alt="Nylon-6" data-caption="Nylon-6" src="https://freight.cargo.site/w/1000/i/8a6019a0e631edd94c7831f169694bb2b8c50b7b5c191fccd9211da8ce564ab8/IMG_5968-copy.jpg" /&#62;
&#60;img width="640" height="360" width_o="640" height_o="360" data-src="https://freight.cargo.site/t/original/i/df5dddfcda82cba0c094e0c5d2143dd06100368af5d464a1fcfd7fc386bd79d5/undefined-low.gif" data-mid="198900095" border="0" data-scale="41" src="https://freight.cargo.site/w/640/i/df5dddfcda82cba0c094e0c5d2143dd06100368af5d464a1fcfd7fc386bd79d5/undefined-low.gif" /&#62;
&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/aa7137ccae02cc8262cdf435868cfa2e5ba00e658dd1fc9dfb06113da7a5fe2b/IMG_5982-copy.jpg" data-mid="204341987" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/aa7137ccae02cc8262cdf435868cfa2e5ba00e658dd1fc9dfb06113da7a5fe2b/IMG_5982-copy.jpg" /&#62;

 &#38;nbsp;








</description>
		
	</item>
		
		
	<item>
		<title>Arbeitsplatz </title>
				
		<link>https://selensolak.com/Arbeitsplatz</link>

		<pubDate>Sat, 25 Feb 2023 13:05:55 +0000</pubDate>

		<dc:creator>Selen Solak</dc:creator>

		<guid isPermaLink="true">https://selensolak.com/Arbeitsplatz</guid>

		<description>
	Arbeitsplatz &#38;nbsp;Workplace
	This is an ongoing photographic study focused on the workplace, Arbeitsplatz. It explores objects, spaces, materials, and gestures, moving between inside and outside within a scientific environment, to attend to both the singular and the familiar aspects of this setting.


This study seeks to reflect on current behaviors and spatial structures in fundamental scientific research – by thinking through traces left behind, work carried out quietly, probes, and the pipes that connect everything.








&#60;img width="3126" height="2104" width_o="3126" height_o="2104" data-src="https://freight.cargo.site/t/original/i/021442eba5c1d16691ae69e1297c8f189e8cc0f02a5f204599be4f4d6299d847/Screenshot-2026-05-28-at-13.24.28.png" data-mid="248840110" border="0"  src="https://freight.cargo.site/w/1000/i/021442eba5c1d16691ae69e1297c8f189e8cc0f02a5f204599be4f4d6299d847/Screenshot-2026-05-28-at-13.24.28.png" /&#62;&#60;img width="840" height="560" width_o="840" height_o="560" data-src="https://freight.cargo.site/t/original/i/c0a24986e8790edc54eca0fc0899b4e760465bb559fde91150b5aead796be4e8/IMG_6091_3-copy.jpg" data-mid="207119680" border="0"  src="https://freight.cargo.site/w/840/i/c0a24986e8790edc54eca0fc0899b4e760465bb559fde91150b5aead796be4e8/IMG_6091_3-copy.jpg" /&#62;
&#60;img width="3120" height="2182" width_o="3120" height_o="2182" data-src="https://freight.cargo.site/t/original/i/e4662ef079250ec2c0081658eedd7ddd04532cfe7aa65742a316ae8353ac6297/Screenshot-2026-05-28-at-13.25.24.png" data-mid="248840111" border="0"  src="https://freight.cargo.site/w/1000/i/e4662ef079250ec2c0081658eedd7ddd04532cfe7aa65742a316ae8353ac6297/Screenshot-2026-05-28-at-13.25.24.png" /&#62;&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/b7a721c67b96981abf123f763579d3273f3c0b4a1d4b661df05e49cd1e20c58b/IMG_6286-copy.jpg" data-mid="210744499" border="0"  src="https://freight.cargo.site/w/1000/i/b7a721c67b96981abf123f763579d3273f3c0b4a1d4b661df05e49cd1e20c58b/IMG_6286-copy.jpg" /&#62;

&#38;nbsp;















	
</description>
		
	</item>
		
		
	<item>
		<title>Missing Red</title>
				
		<link>https://selensolak.com/Missing-Red</link>

		<pubDate>Sat, 23 Apr 2022 07:44:32 +0000</pubDate>

		<dc:creator>Selen Solak</dc:creator>

		<guid isPermaLink="true">https://selensolak.com/Missing-Red</guid>

		<description>Missing Red


-in progress--
Missing Red reflects on the practice and role of a scientific experiment on their way to becoming technologies. Some of its parts are, fortunately, imperfectly fabricated. It is this imperfection that opens the work: a trace of labor within the experimental, a "mistake" carrying personal and human presence.


From here, the experimental footage drifts beyond its intended purpose, layered over the open sea – day and night – where lab light meets water, wind, and horizon: structures and environments, both scientific and natural, that it comes to touch.


At stake are the primary colors: red, green, and blue. Drawing RGB as a boundary, Missing Red frames the absence of red as its center – a connection between the scientific and the everyday, and a poetic and relational space to reflect on the experiment itself, its materials, and its cost.


(The footage measures blue and green light-emitting diodes, thought here as proto-pixels: under voltage, they emit light, reach their maximum, and die.) &#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/62af45db2b98132f1553081f4a9cef91c71b3c7c6facff4de0db3264364416a1/Adini-henuz-bilmiyorum.00_01_13_19.Still002-copy.jpg" data-mid="246167320" border="0"  src="https://freight.cargo.site/w/1000/i/62af45db2b98132f1553081f4a9cef91c71b3c7c6facff4de0db3264364416a1/Adini-henuz-bilmiyorum.00_01_13_19.Still002-copy.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Long days </title>
				
		<link>https://selensolak.com/Long-days-1</link>

		<pubDate>Sat, 23 Apr 2022 07:44:32 +0000</pubDate>

		<dc:creator>Selen Solak</dc:creator>

		<guid isPermaLink="true">https://selensolak.com/Long-days-1</guid>

		<description>
	
Uzun Günler
Long Days

video editing&#38;nbsp;Nazlı Moripek
&#38;nbsp;8’52”
2023Long Days was filmed in &#38;nbsp;İğneada, Turkey&#38;nbsp;
with tape camcorder, which has been used for a long time as family camera. This camera recorded many important events, including the last days of our relatives. The video was resulting in muddy colors and time to time a heavy texture that makes difficult to recognize faces.This short video, Long Days, is a study for the camera itself and for the summer house where I spend my summers when I was a child.



(TR) 
Farklı evlerdeki aynı halı ve koltuklar, bir an durduğunda, yanıltıcı. Birbirine yaslanmış simetrik iki ev. Duvar öfkeyi ayırmadı, şimdi tabaklar bir balkondan diğerine veriliyor. 
Kurbağalar sustuğunda, havuzun yanında çocuklar toplandı.
Küçük bir odada öğle güneşinde, anlatılmamış tarih ve sıkıntılı bir çocuk.
Neşeli bir ses cevap verdiğinde enerji üretildi ve kazmaya zamanı olmayan diğer el tarafından dönüştürüldü. Geceyle birlikte yoldaki çalışmanın tozu yatışacak. Elektrik gidecek. Şaşırmış seslerinden sonra insanların, gökyüzü açık olacak. 

Düşmüş armutları toplamak istedik ve fenere doğru koştuk. Ama daha yarı yolda yakalandık. Arabanın açık camından bakarken düşündük ki belki de yolun yarısını bile gitmiş değildik.

&#60;img width="555" height="376" width_o="555" height_o="376" data-src="https://freight.cargo.site/t/original/i/33bf7a71ea6f2d7696e80b6891f32ca42785e1846b019ec8e3765aedfe595d90/Sequence-01_140678.jpg" data-mid="140445385" border="0" data-scale="97" src="https://freight.cargo.site/w/555/i/33bf7a71ea6f2d7696e80b6891f32ca42785e1846b019ec8e3765aedfe595d90/Sequence-01_140678.jpg" /&#62;(EN) 
The same carpets and armchairs in different houses are misleading for a moment. Two symmetrical houses leaning against each other. The wall did not keep the rage apart, and now the plates are handed over from one balcony to the other. 
When the frogs fell silent, the children gathered by the pool.
In a small room under the midday sun, an untold history and a troubled child.
When a cheerful voice answered, energy was generated and converted by the other hand, which had no time to dig. By night, the dust from the road construction will have settled. And there will be no electricity. The sky will be clear after the surprised sounds of the people. 

We wanted to pick up the fallen pears, then we ran towards the lighthouse. But we were caught halfway. We thought, looking out the open car window, that maybe we had not even traveled half the distance.&#38;nbsp;
Translation: Seda Mimaroğlu





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